Animation and Compositing - CTRL-Labs/Faune Brooklyn
Wednesday, September 23, 2009
Wednesday, June 10, 2009
Media Lounge Interactive Installation
MEDIA LOUNGE: APRIL 10th
FEATURED ARTISTS:
Michael Glen (www.michaelglen.net)
Kanwaljeet Singh (www.kanwaljeetsingh.com)
Ruby Gold
Avery McCarthy (averymccarthy.com)
Matt Gliva
Jaclyn Perrelli
Andrew Scoville
Ellie Famutimi
Chris Smith
Eliza Laytner
TheConsciousness
Max Nova (www.coyotenova.com)
Justina Flash (Myspace)
Blue and Red 3D Spectacular (YouTube)
Busted Muffin Productions (Review)
FEATURED ARTISTS:
Michael Glen (www.michaelglen.net)
Kanwaljeet Singh (www.kanwaljeetsingh.com)
Ruby Gold
Avery McCarthy (averymccarthy.com)
Matt Gliva
Jaclyn Perrelli
Andrew Scoville
Ellie Famutimi
Chris Smith
Eliza Laytner
TheConsciousness
Max Nova (www.coyotenova.com)
Justina Flash (Myspace)
Blue and Red 3D Spectacular (YouTube)
Busted Muffin Productions (Review)
Friday, April 3, 2009
Arabian Nights
Director and Editor - Michael R Mazur
Compositors - Michael R Mazur and Michael Glen
3-D Animation - Michael Glen
The video was shot at The American Movie Company in NYC and was composited in house using Final Cut Pro, After Effects CS4, Maya, and Z-Brush.
Compositors - Michael R Mazur and Michael Glen
3-D Animation - Michael Glen
The video was shot at The American Movie Company in NYC and was composited in house using Final Cut Pro, After Effects CS4, Maya, and Z-Brush.
Wednesday, January 7, 2009
Latte?
Latte? from Michael glen on Vimeo.
Though it went out about a month ago, i thought it would be a good idea to post a record of my graduate project here.
Rather than write a description, I'm going to quote Justin from Motionographer.com here
"For Michael Glen’s final project in animation and interactive media at RMIT University Australia, he developed a unique and quirky look for his short film, “Latte?”
The narrative is a surreal tale of competition from the dawn of capitalism in the imagined Eastern European town of Annexia. The Borat-like pidgin English of the film’s stars and their obsession with outdated modes of “stylings” add to its weirdly charming brand of humor.
The credit sequence at the film’s conclusion gives you a little peek at the technique Michael used to create his characters."
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